Showing posts with label Marlene Dietrich. Show all posts
Showing posts with label Marlene Dietrich. Show all posts

Jan 26, 2024

On YouTube--Magnificent Marlene Dietrich Moments: The von Sternberg Years

 

The seven films director Josef von Sternberg made with Marlene Dietrich are a remarkable record of the filmmaker’s obsession with his star. From the cheap cabaret of The Blue Angel to the grandeur of The Scarlet Empress, von Sternberg explored different settings, but coached Dietrich to maintain a familiar array of characteristics in each film. From the way she moved and spoke, to the little bits of business that gave the woman she played life, there is one Dietrich who rises out of the seven women she played for the director who made her not only a star, but a legend. 

Films in video: 
The Blue Angel (1930) 
Morocco (1930) 
Dishonored (1931) 
Shanghai Express (1932) 
Blonde Venus (1932) 
The Scarlet Empress (1934) 
The Devil is a Woman (1935)

Dec 29, 2022

Review: A trio of fascinating books about Marlene Dietrich

Marlene 
Marlene Dietrich 
2022 (originally published 1989) 

Marlene Dietrich: Photographs and Memories Compiled by Jean-Jacques Naudet 
Captions by Maria Riva 
with Werner Sudendorf 
2022 

Marlene Dietrich’s ABC’s: Wit, Wisdom, and Recipes 
Marlene Dietrich 
Updated Edition 2022 (originally published 1961)  

All from University Press of Kentucky 


It took me a while to decide what I had to say about the University Press of Kentucky’s release of a trio of books about Marlene Dietrich this year, one new, the others reissues. I got a bit hung up on finding the truth of the woman in these publications, when what I truly loved about them was that they communicated her essence, which simply put is what gave her star power. Together, they tell a varied story about a complex woman, revealing different facets about the always vocal star. 
For a more complete story, I suggest reading Maria Riva’s memoir of her mother, but these three books are each essential in their own way. 

As with any memoir, Marlene by Marlene Dietrich tells what the actress was willing to tell, embellished by how she would like to be. She writes in a dramatic, almost poetic fashion, which is similar in style to the song introductions she made when she toured as a singer later in life. 

Dietrich goes into detail about her childhood, her rise to fame, and seems to have been especially affected by her service as an entertainer for the troops during World War II. It's an interesting read and as a story of her life it presents her essence well. I think the truth can be pretty well divined in reading this and Riva’s memoir, but the point of the book is how fascinating it and its author can be.


Marlene Dietrich: Photographs and Memories
is the new release of the bunch. It’s a gorgeous tribute to her aesthetic, which was a unique combination of the elegantly feminine and dapper masculine. An introduction provides context for the images to follow, and captions by Maria Riva lend a richness to the images, which consist of a healthy helping of classic Dietrich photos and color pics of several of her dresses and accessories. The garments are a marvel of style and construction and a visual treat for any fan of fashion.


I was most excited to finally read Marlene Dietrich’s ABC’s: Wit, Wisdom, and Recipes. This book is far more revealing than Dietrich’s memoir. It shows the actress was truly the devoted hausfrau she was rumored to be, deeply respectful of the workers who supported her in her craft, and generally kind at heart, though with a bit of vinegar she doesn’t always try to conceal. The extent of her enormous love for herself is rare to see even in a star; she knew her value and wasn’t afraid to speak about it. For that reason, this is an enormously entertaining book. 

While my excitement over finally reading the ABC’s gives that book an edge in my mind, I can’t say which of these publications I find most essential. Overall, it’s a matter of taste and what aspects of the star the reader finds most intriguing. The full picture here is that Dietrich worked in a profession of artifice but enjoyed a life with down-to-earth pursuits as much as the glamour, maybe even more so. Individually and combined, they present the legend well. 


Many thanks to University Press of Kentucky for providing copies of the books for review.

Feb 12, 2020

Book Review: A Novel Inspired by a Photo of Marlene Dietrich, Anna May Wong, and Leni Riefenstahl


Delayed Rays of a Star
Amanda Lee Koe
Penguin Random House, 2019

I was surprised to learn that Delayed Rays of a Star is Amanda Lee Koe’s debut novel. It is the kind of serenely self-assured, wise work you would expect from a long-established author. I understand the temptation to use the vibrant lives of real movie stars as the basis for literature, but so often the results can be an awkward marriage of fact and less-than plausible fiction. Koe not only draws herself into the heart of these three film legends, but she creates a transcendent narrative around them.


Marlene Dietrich, Anna May Wong & Leni Riefenstahl by Alfred Eisenstaedt, 1928

Koe’s inspiration was a series of photos Alfred Eisenstaedt took of Marlene Dietrich, Anna May Wong, and Leni Riefenstahl at a party in East Berlin in 1928. At the time Dietrich was edging towards fame, Wong had already found footing as a supporting and occasional lead player in silent films, and Riefenstahl had not yet started directing, but had a thriving career as an actress known for her athletic roles. They are a fascinating trio: glamorous, celebratory, and visibly not entirely in sync with each other.

Beginning with the lives of these three women, who each broke ground in their own way, Koe melds fact with speculation and creates a world that includes a few imagined supporting players in their lives. From a hapless worker on Riefenstahl’s film set to a pair of immigrants who meet through their very different relationships with Dietrich, it’s an often fascinating, though occasionally plodding exploration of class and privilege.


Marlene Dietrich, Anna May Wong & Leni Riefenstahl by Alfred Eisenstaedt, 1928

While I appreciated the social texture Koe gave her narrative by folding less fortunate souls into the lives of her celebrated trio, I was most touched by the emotionally rich relationship she imagined between Dietrich and Wong. She has crafted a connection that spans decades, where youthful lust matures into weary mutual support. Koe taps into the key elements of these women, from Wong’s somber intelligence to Dietrich’s complex mix of traits from maternal concern to vain self-absorption.

It’s an original, unexpected narrative expansion on a series of images that could inspire endless stories.

Apr 28, 2013

Quote of the Week


Dietrich -- I don't know her. I wasn't on any of her films, but I shouldn't think that Miss Dietrich ever said, "Don't put so-and-so in a scene with me," or "I don't want her in my film." Dietrich didn't have to worry about that. She didn't have to. You didn't look at anybody else in a scene she was in anyway.

- Ann Sheridan

Image Source, Quote Source

Oct 23, 2011

Quote of the Week


Marlene Dietrich and Roy Rogers are the only two living humans who should be allowed to wear black leather pants.

-Edith Head

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Sep 19, 2010

Quote of the Week


Nobody can forsee what will please the critics. Every artistic activity is, and always will be, a poker game.

-Marlene Dietrich

Image Source