Apr 16, 2018
TCM Classic Film Festival 2018: My Tentative Schedule
I am delighted to have received my media credentials for TCM Classic Film Festival 2018! It is always an honor to attend this fun event and I am looking forward to sharing TCMFF with you all for a fifth year.
This year's festival takes place from April 26-29 and the theme is Powerful Words: The Page Onscreen.
As a seasoned festival attendee, I have learned not to sweat my schedule too much. There's always a lot to see and many conflicts. It's also hard to slow down sometimes and take a break to eat, or get at least a few minutes of sunshine. Whatever happens though, TCMFF holds many amazing experiences. My advice to attendees new and experienced: focus on having fun, enjoying the moment, and setting aside just a little time to take care of yourself, because trying to see and do everything will just burn you out.
My tentative schedule so far, almost certainly subject to change:
I'm not sure which events I will attend the first day of the festival. The opening night party and Bruce Goldstein's So You Think You Know Movies classic movie quiz event at Club TCM are among the most tempting.
I ended up with a sort of sisterhood theme for my first night's films:
Finishing School (1934), Chinese Multiplex
Stage Door (1937) in nitrate, Egyptian Theatre
This is the only day of the festival that was a no-brainer for me movie-wise. There are plenty of other things I'd like to see (Throne of Blood  is tempting me and may be a last minute schedule change for the second slot), but these two would be a great start.
Intruder in the Dust (1949), Chinese Multiplex
Witness for the Prosecution (1957), Egyptian Theatre
None Shall Escape (1944), Chinese Multiplex
I Take This Woman (1931), Chinese Multiplex
Leave Her To Heaven (1945), in nitrate, Egyptian Theatre
The World's Greatest Sinner (1962), Chinese Multiplex
I love Intruder in the Dust star Juano Hernandez and it would be great to see Donald Bogle introduce the film, but it is possible I could give in to the lure of Strangers on a Train (1951). I've never seen this film on the big screen and I think it would be exciting to experience this thriller that way.
It is possible I will also bag None Shall Escape (1944), a completely new to me film, to see Three Smart Girls (1936), as I have never seen a Deanna Durbin film in a theater.
Might also have to skip I Take This Woman (1931) to get something to eat, but Leave Her To Heaven (1945) in nitrate and Timothy Carey in the apparently bonkers The World's Greatest Sinner (1964) are non-negotiable. They are the two films I am most looking forward to seeing at the festival.
Kiss Me Deadly (1955), Chinese Multiplex
This Thing Called Love (1940), Chinese Multiplex
Sunset Boulevard (1950), TCL Chinese Theatre
The World of Suzie Wong (1950), Chinese Multiplex
Scarface (1932), Chinese Multiplex
Night of the Living Dead (1968), Chinese Multiplex
I love the tonal shifts of my schedule this day: sleazy noir, romantic comedy, two classic dramas, pre-code crime and one of the best horror movies ever made. I'm especially looking forward to seeing Nancy Kwan before Suzie Wong and John Carpenter introducing Scarface. This will be my stargazing day to be sure. It is possible I might chicken out and skip the midnight horror. That film always makes me feel like I am 13-years-old again; as perfect as it is, it always hits my terror bone. That's just as much a reason to see it though--we'll see.
Once Upon a Time in the West (1968), TCL Chinese Theatre
Mostly Lost: Identifying Unknown Films at the Library of Congress, Club TCM
A Star is Born (1937), Egyptian Theatre
I'm curious to see what the TBA titles will be for Sunday. If I can get up early enough, it will be amazing to see Sergio Leone's legendary western on such a magnificent screen. I already feel misty thinking about that dreamy Ennio Morricone soundtrack. It is possible that I will otherwise keep a lighter schedule this day. This is the time of the festival when I am starving. Steak and eggs might take priority over films. I considered seeing Phantom of the Opera (1925) for my last film of the festival because I am not planning to see any other major silent screenings, but A Star is Born seems like the perfect weeper to wrap things up and I would love to end the festival at the Egyptian Theatre.
Then on to the closing night party at Club TCM and spending those last few precious moments with my movie people!
You can follow my festival adventures on Twitter and Instagram. I'll post more a more detailed follow-up here the week after TCMFF. Can't wait to get to Hollywood!