Showing posts with label Marilyn Monroe. Show all posts
Showing posts with label Marilyn Monroe. Show all posts

May 29, 2016

Quote of the Week: George Sanders Remembers Marilyn Monroe

Image Source

She was very beautiful and very inquiring and unsure--she was somebody in a play not yet written, uncertain of her part in the over-all plot. As far as I can recall, she was humble, punctual and untemperamental. She wanted people to like her.

-George Sanders, about Marilyn Monroe

Quote Source

Aug 31, 2014

Quote of the Week

Image

She is an urchin pretending to be grown up, having the time of her life in Mother’s moth-eaten finery, tottering about in high-heeled shoes and sipping ginger ale as though it were a champagne cocktail.

-Cecil Beaton, about Marilyn Monroe

Quote Source

Jun 1, 2014

Quote of the Week


She was an unusual woman--a little ahead of her times. And she didn't know it.

-Ella Fitzgerald

Quote Source,Image Source

Mar 16, 2014

Quote of the Week


She had no techniques. It was all the truth, it was only Marilyn. But it was Marilyn, plus. She found things, found things about womankind in herself.

-John Huston, about Marilyn Monroe

Quote Source, Image Source

Feb 23, 2014

Quote of the Week


When you went to the John, she'd think you'd disappeared and she'd been left alone. She'd open up the door to see if you were still there. She was a little child.

-Shelley Winters

Quote Source, Image Source

Jan 26, 2014

Quote of the Week


For me, self-respect is one's greatest treasure. What does it all add up to if you don't have that?

-Marilyn Monroe

Quote Source, Image Source

Jun 2, 2013

Quote of the Week


From inside the darkness a white-gloved hand reached out for help and it was given. Then came a face of dizzying beauty, the head slightly lowered to avoid disrupting the spun gold blond hair caressing a white fox collar clutched close to a milk white throat....Once fully standing on the street, she let go of the collar, allowing the coat to fall free, exposing a body encased in a full-length skintight gown made of what looked like tiny white pearls seemingly flung at her in wild abandon and clinging to every pore.

-Frank Langella, about a curbside childhood encounter with Marilyn Monroe who was emerging from a car

Image Source, Quote Source

Apr 3, 2013

Book Review: Marilyn, by Gloria Steinem


Marilyn
Gloria Steinem
eBook edition, 2013
OpenRoad Media

…Monroe's personal and intimate ability to inhabit our fantasies has gone right on. As I write this, she is still better known than most living movie stars, most world leaders, and most television personalities. The surprise is that she rarely has been taken seriously enough to ask why that is so. -Gloria Steinem

It is no longer bold to claim that that Marilyn Monroe had intelligence, talent and sensitivity. The perception of her as a sex joke is now old-fashioned, so much so that it is almost difficult to believe that so many in her time refused to take her seriously.

Though it is in no way definitive, Gloria Steinem's classic 1988 biography of Marilyn Monroe, now available in this electronic edition, played an influential role in that changed public perception of the troubled actress. After many men had taken a shot at writing about her, here was a sensible feminist thinking through Monroe's life from the viewpoint of a sympathetic woman. She dug into her past to find the reasons for her behavior and the childlike sexpot image she created. Suddenly, the troubled goddess was human.

It wasn't always that way. As a teenager, Steinem slunk out of a screening of Gentlemen Prefer Blondes (1953), embarrassed by the cooing gold digger she saw on the screen. Appreciation of her comedic and dramatic talent took time, as she came to view Monroe's persona as an act of survival in a man's world.

Steinem gave Monroe credit for her intelligence, determination and compassion. She acknowledged that it was a miracle she had the strength she did, given the way her childhood permanently damaged her sense of security, self worth and ability to make lasting connections with others. Maybe Monroe was doomed from the start, but her brilliance gave her the will to change the world, and that is one of Steinem's key points.

Marilyn is more about Monroe the person. Very little attention is given to her film career. You could almost call this a character study instead of a biography. Steinem pokes around the details of her life, revealing the sadness of her lonely childhood and the tawdry events of the starlet years. It isn't a happy story, but you get a sense of Monroe's passion for learning and amazingly modern world view, which seems to indicate she felt some tenderness and joy.

The foundation of the book is an project that was abandoned upon Monroe's death. Shortly before her passing, she had been collaborating with George Barris on a series of portraits and intimate interviews. Recently fired by her studio, she planned to use the project to prove her worth and find work again in the industry that meant so much to her. Years later, it was Steinem's words instead that accompanied the photos.

The Marilyn in Barris' photos is typically charismatic and at ease with the camera. It's astounding how she could reach out through a image and make you feel the force of her personality. I can't think of anyone else who has been able to match that quality.

I viewed the book on a laptop, and I found that some of the photos were a bit blurry and pixelated. Understanding the limitations of the original format, I didn't find that too distracting, or bothersome, but it was noticeable. I imagine they would look sharper on a smaller screen, as with a reader.

This is a classic book, and I'm excited to see it in print again. I love how OpenRoad Media has brought this and other important movie books back into circulation. Here's hoping they'll continue to dig up gems like these from the past.


Deepest thanks to OpenRoad Media for providing a review copy of the book.

Sep 3, 2012

Aug 23, 2012

Book Review-- Meeting the Real Marilyn Monroe


Marilyn: The Passion and the Paradox
Lois Banner
Bloomsbury, 2012

We've lived with the legend of Marilyn Monroe much longer than she was physically with us. Her hold on pop culture has been so powerful that it some ways, it feels like she is more alive as an icon that she ever was as a woman. There have been so many books written about her and theories made about her life that it is often difficult to know what to believe. Who was this woman who continues to fascinate us fifty years after her death? In Marilyn: The Passion and the Paradox, Lois Banner examines the fine details of Monroe's life, looking for truth and attempting to understand this complex woman.

Marilyn tells Monroe's story from birth to death and beyond with a fresh, detailed approach. Banner has combined the best she could find of existing research and done her own detective work to fill out Monroe's story. She digs deep to find answers about the mysteries of her life, from her complicated childhood to her abrupt death, which Banner does not believe to be a suicide.

The biggest revelation for me in Marilyn was that she was not as alone as I'd thought. I've always seen her as an abandoned child with no one to care for her, then a starlet struggling on her own in Hollywood and finally, a lonely woman dying in bed. I'm sure part of this misconception is that I bought the tale Monroe told the media, where she liked to cast herself as the forlorn orphan.

Marilyn might have been lonely at times, but she was never truly alone. The real tragedy of her childhood was that she did not have a consistent home. She did have people who cared for her though, from her mother's best friend Grace Goddard to two doting foster mothers Ida Bolender and Ana Lower. These women gave her guidance, support and helped her to develop a moral framework for her life. This offset the frequent absences of her mentally unstable mother Gladys, for whom Marilyn would later take financial responsibility, though the maternal bond was never strong.

As she became increasingly famous, Monroe gathered a collection of friends from all walks of life. She picked up families where she could, from the clans of her boyfriends to the famous Strasbergs of the Actor's Studio.

Though Marilyn was an advocate for free love (Banner thinks she would have appreciated the hippy movement of the 60s) and sexually promiscuous, she also had several platonic male friends. She loved intellectuals, but her strongest relationships were with those who stayed loyal to her, from her sympathetic personal masseuse to the almost fatherly Joe Di Maggio who alternately protected and menaced Monroe. She eventually collected so many friends that she couldn't keep up with all of them, much to the annoyance of former co-star Jane Russell, with whom she'd made a connection on the set of Gentlemen Prefer Blondes (1953).

Marilyn and Jane Russell
Monroe and Russell had spent much of their time off camera discussing poetry and spirituality. I've always admired Marilyn's wit and her desire to educate herself, but I didn't realize how devoted she was to her intellectual life. Banner describes her large library and how she enjoyed reciting her favorite poems. Monroe was also a Christian Scientist for a time, due primarily to the influence of Low, and she enjoyed talking about spirituality.

The darker passages of Marilyn often revolve around the way Monroe was mistreated by powerful men, and particularly Darryl Zanuck and Twentieth-Century Fox. Marilyn slept with a lot of men on her way to the top, and while she was not the only star to fall prey to the casting couch, the abandon with which she approached sex earned the permanent disgust of studio executives. Even while she made a fortune for them, they looked upon her as a slut and she had to fight for herself as if she hadn't made it to the top.

Marilyn with Joe Di Maggio
 Monroe would have similar difficulties with second husband Joe Di Maggio, who didn't seem to realize he'd married a sex symbol, though he later acknowledged his abusive behavior and changed his ways. There were also reportedly sex parties with powerful Hollywood players and studio-arranged dates with powerful businessmen that were essentially prostitution. These assignations led to a reported twelve abortions.

Marilyn was also tormented by painful endometrioses and the fear that she would become mentally unhinged like her mother. Eventually, she would become addicted to several kinds of prescription pills, which she would take in increasing amounts so that she could sleep, wake up or simply make it through the day. She would sometimes show up to the set in a fog.

Banner approaches these issues and the events of Marilyn's life in a variety of ways. She is primarily an investigative reporter, digging through archives of unpublished material and interviewing subjects who rarely, if ever, receive the attention of Monroe biographers. She is wisely skeptical, and the caution she takes to get the details right did much to inspire my trust. Banner also makes her own speculations about Monroe's reasons for her behavior. While I appreciated her insight, I found these passages to be weaker. Her lengthy explanations of the history Christian Science and other key elements of Monroe's life and philosophies were interesting, but had an unnecessary level of detail which I felt distracted from Marilyn's story.

Since Monroe has always had a remarkable relationship with the camera, I particularly liked a chapter in which Banner analyzed a collection of her photographs. This was a brilliant way to draw out some of Marilyn's complexities. These shots are included in the book in color, something I've never seen in a biography, and which I appreciated given the attention they received in the text.

Overall, this is an astonishingly complex work. It provides an unusually diverse portrait of Marilyn as a curious, social and intelligent woman, often beaten by life, but who persisted in her quest for love, respect and professional satisfaction. Beneath that glamorous shell was a woman far more interesting than the gloss of her legend. I'm glad Banner introduced her to us.

Thank you to Bloomsbury for providing a copy of the book for review.

Image Source

May 27, 2012

Quote of the Week


She couldn't get out of her own way. . . . She wasn't disciplined. . .but she didn't do it viciously, and there was a sort of magic about her which we all recognized at once.

-Barbara Stanwyck, about Marilyn Monroe


Image Source, Quote Source

Apr 22, 2012

Quote of the Week


Some of my foster families used to send me to the movies to get me out of the house and there I'd sit all day and way into the night. Up in front, there with the screen so big, a little kid all alone, and I loved it.

 -Marilyn Monroe


Image Source, Quote Source

Aug 7, 2011

Quote of the Week


Isn't there any other part of the matzo you can eat?
(after having matzo ball soup for three meals in a row)

 -Marilyn Monroe

 Image Source

May 29, 2011

Quote of the Week


An actor is supposed to be a sensitive instrument. Issac Stern takes good care of his violin. What if everybody jumped on his violin?

-Marilyn Monroe

Image Source

Feb 24, 2011

Marilyn Monroe, Jane Russell and the Kessler Twins

Have you ever heard of the Kessler Twins? They’re a German triple-threat sister act, beloved in Europe, and particularly Germany and Italy. The sisters enjoyed the peak of their fame in the fifties and sixties, though they are still adored in Europe today.

In this Scopitone video the Kessler Twins do a stylish strut-dance as they lip sync to Quando Quando:


Every time I see the beginning of that routine, it makes me think of Jane Russell and Marilyn Monroe in the opening number from Gentlemen Prefer Blondes (1953). The way the sisters move together, with their hands pressed flirtatiously to their upper bodies, and the stillness of their heads as they go through their dance is so similar. Did Jane and Marilyn influence them?

Sep 12, 2010

Quote of the Week


First, I'm trying to prove to myself that I'm a person. Then maybe I'll convince myself that I'm an actress.

-Marilyn Monroe

Image Source

Jun 5, 2010

Saturday Newsreel: Marilyn Monroe



This is a fascinating collection of Marilyn Monroe newsreels. Among the topics covered: her roles in Bus Stop (1956) and The Prince and the Showgirl (1957), her marriage to Arthur Miller and her legendary presidential serenade. The thing I find most striking about these clips is Monroe's sense of humor; sometimes she practically speaks in sound bites! (I particularly like the crack about "growing" in "inches of something".)

Mar 1, 2010

Monday Serenade: Marilyn Monroe in 1948



Norma Jean isn't quite "Marilyn Monroe" yet in this 1948 clip from Ladies of the Chorus, but she's already singing about diamonds and sugar daddies.(The part with the dolls is bizarre.)

Sep 29, 2009

TV Tuesday: Marilyn Monroe for Coke



I don't know how they got away with the double entendre in this playfully sexy 1953 Coke commercial with Marilyn Monroe and Jack Paar. It's actually a clip from Love Nest (1951), edited into the ad.

Jun 1, 2009

Life Photo Galleries

Today I've been fascinated by this gallery of Never-published photos of Marilyn Monroe on Life.com. Most of the shots are from a 1950 session in a park, just as Monroe was starting to gain attention in bit parts. They show a photogenic, but somewhat timid starlet (though look at the determination in those eyes!) Near the end of the gallery, there are a few shots of Monroe after she broke out in 1953, and the difference is amazing. In just a few years, she transformed from an appealing ingenue to a glittering movie goddess. I love the Life site overall. It's got tons of old photos, including lots of great shots from classic Hollywood.